The Double centers on a government clerk who goes mad. It deals with the internal psychological struggle of its main character, Yakov Petrovich Golyadkin, who repeatedly encounters someone who is his exact double in appearance but confident, aggressive, and extroverted, characteristics that are the polar opposites to those of the toadying "pushover" protagonist. The motif of the novella is a doppelgänger (Russian "dvoynik"), known throughout the world in various guises such as the fetch.

Ivan Turgenev (1818 – 1883) was a Russian writer and playwright. Turgenev’s short story collection, A Sportsman’s Sketches, was a major display of Russian Realism and his novel Father and Sons was one of the most famous works of 19th century fiction.

IT was said that a new person had appeared on the sea-front: a lady with a little dog. Dmitri Dmitritch Gurov, who had by then been a fortnight at Yalta, and so was fairly at home there, had begun to take an interest in new arrivals. Sitting in Verney's pavilion, he saw, walking on the sea-front, a fair-haired young lady of medium height, wearing a _beret_; a white Pomeranian dog was running behind her. And afterwards he met her in the public gardens and in the square several times a day. She was walking alone, always wearing the same _beret_, and always with the same white dog; no one knew who she was, and every one called her simply "the lady with the dog." "If she is here alone without a husband or friends, it wouldn't be amiss to make her acquaintance," Gurov reflected.

Product Description: Ivan Turgenev (1818 – 1883) was a Russian writer and playwright. Turgenev’s short story collection, A Sportsman’s Sketches, was a major display of Russian Realism and his novel Father and Sons was one of the most famous works of 19th century fiction.

"[...]was absolutely alone in his work. The Zemsky Natchalniks, upon whom the government relied principally to carry out the census, were inert, and for the most part the work was left to private initiative. In February, 1897, Chekhov was completely engrossed by a project of building a "People's Palace" in Moscow. "People's Palaces" had not been thought of; the common people spent their leisure in drink-shops. The "People's Palace" in Moscow was designed on broad principles; there was to be a library, a reading-room, lecture-rooms, [...]".

THE PARTY TERROR A WOMAN'S KINGDOM A PROBLEM THE KISS 'ANNA ON THE NECK' THE TEACHER OF LITERATURE NOT WANTED TYPHUS A MISFORTUNE A TRIFLE FROM LIFE THE PARTY I AFTER the festive dinner with its eight courses and its endless conversation, Olga Mihalovna, whose husband's name-day was being celebrated, went out into the garden. The duty of smiling and talking incessantly, the clatter of the crockery, the stupidity of the servants, the long intervals between the courses, and the stays she had put on to conceal her condition from the visitors, wearied her to exhaustion. She longed to get away from the house, to sit in the shade and rest her heart with thoughts of the baby which was to be born to her in another two months. She was used to these thoughts coming to her as she turned to the left out of the big avenue into the narrow path. Here in the thick shade of the plums and cherry-trees the dry branches used to scratch her neck and shoulders; a spider's web would settle on her face, and there would rise up in her mind the image of a little creature of undetermined sex and undefined features, and it began to seem as though it were not the spider's web that tickled her face and neck caressingly, but that little creature. When, at the end of the path, a thin wicker hurdle came into sight, and behind it podgy beehives with tiled roofs; when in the motionless, stagnant air there came a smell of hay and honey, and a soft buzzing of bees was audible, then the little creature would take complete possession of Olga Mihalovna. She used to sit down on a bench near the shanty woven of branches, and fall to thinking.

This book contains a great selection of Chekhov’s short stories.

Translated by Constance Garnett

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Alexander Herzen's own brilliance and the extraordinary circumstances of his life combine to place his memoirs among the great testimonies of the modern era. Born in 1812, the illegitimate son of a wealthy Russian landowner, he became one of the most important revolutionary and intellectual figures of his time - as theorist, polemicist and political actor; and fifty years after his death Lenin pronounced him 'the father of Russian socialism'. My Past and Thoughts uniquely assimilates the personal to the historical, and is both a classic of autobiography an an unparalleled record of his century's remarkable life. His account of a privileged childhood among the Russian aristocracy is illuminated with the insight of a great novelist; his friends and enemies - Marx, Wagner, Mill, Bakunin, Garibaldi, Kropotkin - are brought brilliantly to life; and as a sceptical and free-thinking observer, he unerringly traces the line of revolutionary development, from the earliest stirrings of Russian radicalism through the tumultuous ideological debates of the International. 'His power of observation is extraordinary. He tells a story with the economy of a great reporter. His gift is for knowing not only what people are, but how they are historically situated. Somewhere in the pages of this hard, honest observer of what movements do to men, we shall find ourselves.' - V.S. Pritchett