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Clare Finburgh has written 3 work(s)
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Cover for 9781472506672 Cover for 9780415375047 Cover for 9780415375061 Cover for 9781403994806
cover image for 9781472506672
Product Description: Rethinking the Theatre of the Absurd is an innovative collection of essays, written by leading scholars in the fields of theatre, performance and eco-criticism, which reconfigures absurdist theatre through the optics of ecology and environment...read more
By Clare Finburgh (editor)

Hardcover:

9781472506672 | Bloomsbury Methuen Drama, November 5, 2015, cover price $104.00 | About this edition: Rethinking the Theatre of the Absurd is an innovative collection of essays, written by leading scholars in the fields of theatre, performance and eco-criticism, which reconfigures absurdist theatre through the optics of ecology and environment.

cover image for 9780415375061
Product Description: ‘This volume is a gem. Written by two experts in modern French theater, whose stated objective is to render the complexity of Genet's work exhilarating rather than intimidating, the book bears witness to the continued political relevance and artistic power of one of the most controversial and influential authors of the 20th century...read more

Hardcover:

9780415375047 | Routledge, December 9, 2011, cover price $125.00 | About this edition: ‘This volume is a gem.

Paperback:

9780415375061 | Routledge, December 9, 2011, cover price $37.95 | About this edition: ‘This volume is a gem.

cover image for 9781403994806
Product Description: This is the first book to explore the broad political significance of Genet's performance practice by focusing on his radical experiments, polemical subjects and formal innovations in theatre, film and dance. Its new approach brings together the diverse aspects of Genet's work through essays by international scholars and interviews...read more
By Clare Finburgh (editor), Carl Lavery (editor) and Maria Shevtsova (editor)

Hardcover:

9781403994806 | Palgrave Macmillan, December 12, 2006, cover price $120.00 | About this edition: This is the first book to explore the broad political significance of Genet's performance practice by focusing on his radical experiments, polemical subjects and formal innovations in theatre, film and dance.

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