Product Description: On a divine journey through the depths of Hell, Dante--with his guide, the poet Virgil--witnesses the fate of Earth’s sinners. Inferno, a 14th century poem and the first part of Dante Alighieri’s The Divine Comedy, paints an allegorical underworld in which sinners are punished in accordance with their sins...read more

Product Description: Why a new translation of the Roman Missal? Why the new responses at Mass? Guided by Anthony Esolen, a master translator and professor of literature, you'll go deep into the meaning of each part of the liturgy. Esolen explains the importance of this new translation, and provides context, scriptural references, notes which reference the original Latin text, and more...read more

Product Description: We Know What Happens in Hell...But What about Purgatory? Dante's Inferno revealed some titillating details about the punishments inflicted on sinners - but in a way, we already knew what happens to people in Hell. What we don't know is what happens to people who end up in Purgatory...read more

Product Description: Dante's Divine Comedy can rightly be called the greatest poem ever written, praised through the ages by a pantheon of writers and scholars. Romantic poet William Wordsworth (1770-1850) referred to Dante's crowned "visionary brow." Irish novelist James Joyce (1882-1941) said "Dante is my spiritual food!" Pope Benedict XV (1854-1922) called Dante "the most eloquent singer of the Christian idea...read more

Product Description: Book by Esolen, Anthony, Esparza, Jose Javier

In Ironies of Faith, celebrated Dante scholar and translator Anthony Esolen provides a profound meditation upon the use and place of irony in Christian art and in the Christian life. Beginning with an extended analysis of irony as an essentially dramatic device, Esolen explores those manifestations of irony that appear prominently in Christian thinking and art: ironies of time (for Christians believe in divine Providence, but live in a world whose moments pass away); ironies of power (for Christians believe in an almighty God who took on human flesh, and whose “weakness” is stronger than our greatest enemy, death); ironies of love (for man seldom knows whom to love, or how, or even whom it is that in the depths of his heart he loves best); and the figure of the Child (for Christians ever hear the warning voice of their Savior, who says that unless we become like unto one of these little ones, we shall not enter the Kingdom of God). Esolen’s finely wrought study draws from Augustine (Confessions), Dante (The Divine Comedy), Shakespeare (The Tempest), and Tolkien (“Leaf, By Niggle”); Francois Mauriac (A Kiss for the Leper), Milton (Paradise Lost), and Alessandro Manzoni (The Betrothed); the poems of George Herbert and Gerard Manley Hopkins, and Edmund Spenser (Amoretti); Charles Dickens (A Christmas Carol), Dostoyevsky (The Brothers Karamazov), and the anonymous author of the medieval poem Pearl, among other works. Readers who treasure the Christian literary tradition should not miss this illuminating book.