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K. J. Donnelly has written 9 work(s)
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Hardcover:
9781628921281 | Bloomsbury USA Academic, October 22, 2015, cover price $100.00
Paperback:
9781628927481 | Bloomsbury USA Academic, October 22, 2015, cover price $29.95
Product Description: In this groundbreaking book, acclaimed film music author Kevin Donnelly offers the first sustained theorization of synchronization in sound film. Donnelly addresses the manner in which the lock of the audio and the visual exerts a perceptible synergy, an aesthetic he dubs occult: a secret and esoteric effect that can dissipate in the face of an awareness of its existence...read more
Hardcover:
9780199773497 | Oxford Univ Pr on Demand, January 16, 2014, cover price $105.00 | About this edition: In this groundbreaking book, acclaimed film music author Kevin Donnelly offers the first sustained theorization of synchronization in sound film.
Paperback:
9780199773503 | Oxford Univ Pr, January 16, 2014, cover price $29.95 | About this edition: In this groundbreaking book, acclaimed film music author Kevin Donnelly offers the first sustained theorization of synchronization in sound film.
The music for science fiction television programs, like music for science fiction films, is often highly distinctive, introducing cutting-edge electronic music and soundscapes. There is a highly particular role for sound and music in science fiction, because it regularly has to expand the vistas and imagination of the shows and plays a crucial role in setting up the time and place. Notable for its adoption of electronic instruments and integration of music and effects, science fiction programs explore sonic capabilities offered through the evolution of sound technology and design, which has allowed for the precise control and creation of unique and otherworldly sounds. This collection of essays analyzes the style and context of music and sound design in Science Fiction television. It provides a wide range of in-depth analyses of seminal live-action series such as Doctor Who, The Twilight Zone, and Lost, as well as animated series, such as The Jetsons. With thirteen essays from prominent contributors in the field of music and screen media, this anthology will appeal to students of Music and Media, as well as fans of science fiction television.
Hardcover:
9780415641074 | Routledge, December 11, 2012, cover price $115.00
Paperback:
9780415641081 | Routledge, December 10, 2012, cover price $40.95 | About this edition: The music for science fiction television programs, like music for science fiction films, is often highly distinctive, introducing cutting-edge electronic music and soundscapes.
Hardcover:
9780748619252 | Edinburgh Univ Pr, May 1, 2008, cover price $133.00
Paperback:
9780748619269 | Edinburgh Univ Pr, May 1, 2008, cover price $38.25
Product Description: In the first book-length consideration of the topic for sixty years, Kevin Donnelly examines the importance of music in British film, concentrating both on musical scores, such as William Walton's score for Henry V (1944) and Malcolm Arnold's music for The Bridge on the River Kwai (1957), and on the phenomenon of the British film musical...read more
Hardcover:
9781403996732 | Palgrave Macmillan, September 18, 2007, cover price $120.00 | About this edition: In the first book-length consideration of the topic for sixty years, Kevin Donnelly examines the importance of music in British film, concentrating both on musical scores, such as William Walton's score for Henry V (1944) and Malcolm Arnold's music for The Bridge on the River Kwai (1957), and on the phenomenon of the British film musical.
Product Description: This major new study focuses on film music as a device that controls its audience by using emotion as a powerful tool. Kevin Donnelly emphasizes the manipulative and ephemeral character of film music. He discusses not only traditional orchestral film music but also film music's colonization of television and the relation of pop music and film...read more
Hardcover:
9781844570256 | British Film Inst, October 5, 2005, cover price $120.00 | About this edition: This major new study focuses on film music as a device that controls its audience by using emotion as a powerful tool.
Product Description: This major new study focuses on film music as a device that controls its audience by using emotion as a powerful tool. Kevin Donnelly emphasizes the manipulative and ephemeral character of film music. He discusses not only traditional orchestral film music but also film music's colonization of television and the relation of pop music and film...read more
Paperback:
9781844570263 | British Film Inst, September 26, 2005, cover price $41.95 | About this edition: This major new study focuses on film music as a device that controls its audience by using emotion as a powerful tool.
Product Description: Pop music "stars" in many of the most successful of British films, such as "Trainspotting" and "Human Traffic". Even pop artists themselves have been known to appear in British movies, including a young Cliff Richard to the more recent Spice Girls...read more (view table of contents, read Amazon.com's description)
Paperback:
9780851708621 | British Film Inst, February 26, 2002, cover price $36.95 | About this edition: Pop music "stars" in many of the most successful of British films, such as "Trainspotting" and "Human Traffic".
Product Description: For something we often barely notice, music in films is often highly effective. It creates tension, elicits emotion, and is undoubtedly one of the most important aspects of the cinematic experience. Upon closer inspection, it can be seen that film music is highly complex and artful, not only having immediate emotional impact, but also comprising some of the most outstanding music produced in the twentieth century...read more (view table of contents, read Amazon.com's description)
Paperback:
9780826413574 | Bloomsbury USA Academic, June 1, 2001, cover price $48.95 | About this edition: For something we often barely notice, music in films is often highly effective.
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