Product Description: The Das Kapital of the 20th century. An essential text, and the main theoretical work of the situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century...read more

Product Description: First published in 1967, Guy Debord’s stinging revolutionary critique of contemporary society, The Society of the Spectacle, has since acquired a cult status. Credited by many as being the inspiration for the ideas generated by the events of May 1968 in France, Debord’s pitiless attack on commodity fetishism and its incrustation in the practices of everyday life continues to btirn brightly in today’s age of satellite television and the soundbite In Comments on the Society of the Spectacle published twenty years later, Debord returned to the themes of his previous analysis and demonstrated how they were all the more relevant in a period when the ‘integrated spectacle’ was dominant...read more

“I have written less than most writers. But I have drunk far more than most drinkers. All my life I have seen only troubled times, extreme divisions in society, and immense destruction; I have joined in these troubles. My method will be very simple. I will tell of what I have loved; and, in this light, everything else will become evident... Over the years, more than half the people I knew well had sojourned one or several times in the prisons of various countries; many, no doubt, for political reasons, but all the same a greater number for common law offenses or crimes. So I met mainly rebels or the poor. Our only manifestations, which remained rather rare and bried in the first years, were meant to be completely unacceptable; at first, especially by their form and, later, as they acquired depth, especially by their content. They were not accepted.” –Guy DebordGuy Debord, as founding and pivotal figure of the Situationist International, pursued one of the twentieth century’s most arch and exciting assaults on modern life. His 1967 Society of the Spectacle (followed, twenty years later, by Comments on the Society of the Spectacle) was a fierce critique of late-capitalist culture and became the signal text for those involved in the political events of May 1968 and beyond.Panegyric is Debord’s audacious autobiography, and here for the first time in English is the second, beautifully illustrated volume published together with the spare and classical text of the first. A rare combination of poetry and precision, it tells of something even rarer: a life that refused to adjust to the dominant malignancies of its time.

Product Description: Guy Debord (1931–1994) was the most influential member of the Situationist International, the avant-garde group that triggered the May 1968 revolt in France.While Debord’s written work (including The Society of the Spectacle) is some of the most notorious in the world of political and cultural radicality, deemed “the cornerstone cliché of postmodernism,” his films have until now remained tantalizingly inaccessible...read more

Product Description: First published in 1972 in Paris, The Real Split in the International is regarded as one of Guy Debord's finest works. Exploding as politically revolutionary at the heart of the Paris 1968 uprisings, the Situationist International has proved a tenaciously compelling radical movement in terms of asthetics and political theory...read more

Product Description: A book length rant, and a confrontational stance against the French media with regards to the 1984 murder of Debord's friend, financial supporter, and film and literary impressario, Gerard Lebovici. First time in English, and its about time...read more

Product Description: "The specialists of the cinema said that its revolutionary politics were bad; the politicians among all the left-wing illusionists said that it was bad cinema. But when one is at once a revolutionary and a filmmaker, one may easily demonstrate that their general bitterness derives from the obvious fact that the film in question is the exact critique of the society which they do not know how to combat; and a first example of the cinema which they do not know how to make...read more

Product Description: Book by Debord, Guy