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Thierry De Duve has written 9 work(s)
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Hardcover:
9780615249551 | Team Gallery Inc, May 24, 2016, cover price $45.00
Product Description: Theodor Adorno's Aesthetic Theory (1970) offers one of the most powerful and comprehensive critiques of art and of the discipline of aesthetics ever written. The work offers a deeply critical engagement with the history and philosophy of aesthetics and with the traditions of European art through the middle of the 20th century...read more
Paperback:
9780982329429 | Univ of California Pr, October 1, 2010, cover price $18.95 | About this edition: Theodor Adorno's Aesthetic Theory (1970) offers one of the most powerful and comprehensive critiques of art and of the discipline of aesthetics ever written.
Hardcover:
9780714855974, titled "Jeff Wall: Complete Edition" | Phaidon Inc Ltd, February 10, 2010, cover price $69.95
Hardcover:
9783775719537 | Hatje Cantz Pub, November 30, 2007, cover price $50.00
Product Description: Beginning with the instance in 1912 when Marcel Duchamp wrote in a note to himself, "No more painting, get a job," Thierry de Duve reviews in Pictorial Nominalism the implications of the readymade for art and representation. Arguing that the readymade belongs to that moment in the history of painting when both figuration and the practice of painting become "impossible," de Duve presents a psychoanalytically informed account of the birth of abstraction...read more
Hardcover:
9780816615643 | Univ of Minnesota Pr, August 1, 1991, cover price $39.95
Paperback:
9780816648597 | Univ of Minnesota Pr, October 1, 2005, cover price $22.50 | About this edition: Beginning with the instance in 1912 when Marcel Duchamp wrote in a note to himself, "No more painting, get a job," Thierry de Duve reviews in Pictorial Nominalism the implications of the readymade for art and representation.
9780816615650 | Univ of Minnesota Pr, April 1, 1991, cover price $17.95 | About this edition: Beginning with the instance in 1912 when Marcel Duchamp wrote in a note to himself, "No more painting, get a job," Thierry de Duve reviews in Pictorial Nominalism the implications of the readymade for art and representation.
Product Description: Since the 1960s, Dan Graham has carved out a unique space in the field of contemporary art, combing his work as an artist and as a critic of architecture and art in a unique fusion of theory and practice. From the outset, Graham engaged seriously with the aesthetic and political ramifications of Structuralism, taking the artist's critical perceptions of reality to an increasingly conceptual level...read more (view table of contents, read Amazon.com's description)
Hardcover:
9783933807311 | Richter Verlag, April 1, 2001, cover price $65.00 | About this edition: Since the 1960s, Dan Graham has carved out a unique space in the field of contemporary art, combing his work as an artist and as a critic of architecture and art in a unique fusion of theory and practice.
Paperback:
9780966645224 | State Univ of New York at Buffalo, August 1, 1999, cover price $8.00 | About this edition: An issue of the annual journal Umbr(a) dedicated to aesthetics as addressed in psychoananalysis by way of sublimation.
Product Description: The late critic Clement Greenberg remains best known as the man who almost single-handedly put Jackson Pollock, Barnett Newman and Clyfford Still on the map of modern art. His formalist conception of art was violently contested by the succeeding generation of artists and critics, who found Greenberg's approach narrow and dogmatic...read more
Paperback:
9782906571532 | Dis Voir Editions, May 1, 1996, cover price $37.95 | About this edition: The late critic Clement Greenberg remains best known as the man who almost single-handedly put Jackson Pollock, Barnett Newman and Clyfford Still on the map of modern art.
The Duchamp scholars represented here are the leading European and American critics of their generation - a number of whom have staked out opposing territories, making for a particularly animated critique of this fascinating artist and his provocative work. Eric Cameron, Herbert Molderings, and Francis Naumann probe the philosophical implications of Duchamp's skepticism, eroticism, and paradoxical acceptance of contradiction. William Camfield and Thierry de Duve investigate the events that led to the creation of Duchamp's infamous Fountain. Jean Suquet's rigorous yet poetic reading of the Large Glass appears here in English for the first time, as does André Gervais's exhilarating voyage through Duchamp's puns, aphorisms, and wordplays. Carol James offers a fresh interpretation of Duchamp's late works as readymades. With an eye on today's art practices and theoretical debates, Craig Adcock and Rosalind Krauss examine to what extent scientific models explain Duchamp's art or are challenged by it. And Molly Nesbit uncovers important evidence of how the gender-based teaching of drawing in the Third Republic might have nurtured Duchamp's - or Rrose Sélavy's - peculiar use of mechanical drawing. The Essays: Given, Eric Cameron. Marcel Duchamp: A Reconciliation of Opposites, Francis Naumann. Possible, Jean Suquet. Marcel Duchamp's Fountain: Aesthetic Object, Icon, or Anti-Art? William Camfield. Given the Richard Mutt Case, Thierry de Duve. Objects of Modern Skepticism, Herbert Molderings. An Original Revolutionary Messagerie Rrose, or What Became of Readymades, Carol James. Duchamp's Way: Twisting Our Memory of the Past "For the Fun of It," Craig Adcock. The Language of Industry, Molly Nesbit. Connections: Of Art and Arrhe, André Gervais. Where's Poppa? Rosalind Krauss. Copublished with the Nova Scotia College of Art and Design.
Hardcover:
9780262041171 | Mit Pr, December 1, 1991, cover price $78.00 | About this edition: The Duchamp scholars represented here are the leading European and American critics of their generation - a number of whom have staked out opposing territories, making for a particularly animated critique of this fascinating artist and his provocative work.
Paperback:
9780262540728 | Reprint edition (Mit Pr, September 1, 1993), cover price $31.50
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