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Paul Crossley has written 4 work(s)
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Paperback:
9781907372544 | Paul Holberton Pub, June 6, 2014, cover price $30.00
Product Description: Geographically, this survey stretches from Poland to Portugal, from Sicily to Scotland; chronologically, it ranges from Durham in 1093 to Halle an der Saale in 1530. It provides an introduction to the study of Gothic architecture, and a history and analysis of Gothic style. (view table of contents, read Amazon.com's description)
Hardcover:
9780300087987 | Rev sub edition (Yale Univ Pr, July 1, 2001), cover price $85.00 | About this edition: Geographically, this survey stretches from Poland to Portugal, from Sicily to Scotland; chronologically, it ranges from Durham in 1093 to Halle an der Saale in 1530.
Paperback:
9780300087994 | Yale Univ Pr, April 1, 2001, cover price $47.50
Product Description: Architecture and Language examines one of the central themes in the history and theory of Western architecture. Seeking to understand how language provides a model for understanding architecture, the essays in this volume both celebrate the diversity of the language-architecture analogy and assess its theoretical implications in the light of the diverse historical circumstances that produced it...read more (view table of contents, read Amazon.com's description)
Hardcover:
9780521650786 | Cambridge Univ Pr, June 19, 2000, cover price $138.00 | About this edition: Architecture and Language examines one of the central themes in the history and theory of Western architecture.
Product Description: Medieval Architecture and its Intellectual Context reflects the range of Peter Kidson's own interests and are united in following his approach to medieval architecture and art: a determination to see buildings and objects in the intellectual terms of the time in which they were created...read more
Hardcover:
9781852850340 | Hambledon Pr, September 1, 1990, cover price $115.00 | About this edition: Medieval Architecture and its Intellectual Context reflects the range of Peter Kidson's own interests and are united in following his approach to medieval architecture and art: a determination to see buildings and objects in the intellectual terms of the time in which they were created.
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