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Simon Baier has written 5 work(s)
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Cover for 9783775740715 Cover for 9783775736855 Cover for 9783863351540 Cover for 9783775733632 Cover for 9780935640953
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Product Description: What new paths have sculptors opened up since the end of World War II? Based on late works by Constantin Brancusi and Alberto Giacometti, this volume illustrates the multifaceted developments in this dynamic genre. It demonstrates how classic notions of form and sculpture became more abstract, were brought closer to everyday objects, dissolved spatial or conceptual boundaries, or even reconstituted themselves by returning to figuration...read more

Hardcover:

9783775740715 | Hatje Cantz Pub, September 27, 2016, cover price $60.00 | About this edition: What new paths have sculptors opened up since the end of World War II?

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Product Description: Piet Mondrian (1872–1944), Barnett Newman (1905–1970) and Dan Flavin (1933–1996) belong to very different generations, but they have in common a rigorously ascetic approach to abstraction. Their intellectual, spiritual and social visions also differ significantly, but each experimented with more representational forms in their younger days, before arriving at a distinctive abstract modality from which they did not deviate for the rest of their careers...read more
By Simon Baier (contributor), Bernhard Mendes Burgi (foreword by), Dan Flavin (other contributor), Piet Mondrian (other contributor) and Barnett Newman (other contributor)

Hardcover:

9783775736855 | Hatje Cantz Pub, February 28, 2014, cover price $60.00 | About this edition: Piet Mondrian (1872–1944), Barnett Newman (1905–1970) and Dan Flavin (1933–1996) belong to very different generations, but they have in common a rigorously ascetic approach to abstraction.

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Product Description: Cheyney Thompson has made the technology, production and distribution of painting the subject of his work. His Chronochromes (2009–2011) are composed using the color system devised by Albert H. Munsell in the early 1900s. Thompson grafts this system onto a calendar: each day is assigned a complementary hue pair, with every hour changing the value, and every month changing the saturation, of each brushstroke...read more
By Simon Baier (contributor), Yve Alain Bois (contributor) and Cheyney Thompson (other contributor)

Paperback:

9783863351540, titled "Metric, Pedestal,Cabengo, Landlord, Recit: Metric, Pedestal, Landlord, Cabengo, Recit" | Walther Konig, June 30, 2013, cover price $59.95 | About this edition: Cheyney Thompson has made the technology, production and distribution of painting the subject of his work.

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Product Description: Painter, architect, engineer, set designer, father to the Russian Constructivist movement, inventor of the “counter-relief” and author of one of modernism’s greatest icons, the “Monument to the Third International,” Vladimir Tatlin blazed an incredible trail of innovation through the glory years of the Soviet avant-garde...read more
By Simon Baier (contributor), Gian Casper Bott (contributor), Dmitrii Dimakov (contributor), Jurgen Harten (contributor) and Museum Tingueley (corporate author)

Hardcover:

9783775733632 | Hatje Cantz Pub, October 31, 2012, cover price $60.00 | About this edition: Painter, architect, engineer, set designer, father to the Russian Constructivist movement, inventor of the “counter-relief” and author of one of modernism’s greatest icons, the “Monument to the Third International,” Vladimir Tatlin blazed an incredible trail of innovation through the glory years of the Soviet avant-garde.

cover image for 9780935640953
Product Description: Abstract Resistance considers the metaphor of resistance as a political and compositional force defining the art of the past half-century. Starting with Michel Foucault's assertion that "where there is power, there is resistance," it explores art made since World War II that has been shaped by traumatic historical events in complex ways...read more

Paperback:

9780935640953 | Walker Art Center, November 30, 2010, cover price $9.99 | About this edition: Abstract Resistance considers the metaphor of resistance as a political and compositional force defining the art of the past half-century.

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