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The Morning Line: The Morning Line: Aranda Lasch, Arup Agu
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Bibliographic Detail
Publisher Verlag Fur Moderne Kunst
Publication date April 30, 2012
Pages 139
Binding Paperback
Edition Box
Book category Adult Non-Fiction
ISBN-13 9783869842424
ISBN-10 3869842423
Dimensions 1 by 12.25 by 12.25 in.
Weight 3.20 lbs.
Published in Europe
Original list price $80.00
Summaries and Reviews
Amazon.com description: Product Description: Situated at the interaction of art, architecture, music, mathematics, cosmology and science, Matthew Ritchie’s “The Morning Line” is a 33-foot high sound pavilion, constructed in aluminum and conceived in part as a successor to Edgard Varèse and Le Corbusier’s pavilion for the 1958 World’s Fair, and Fritz Bornemann’s Expo ’70 Pavilion. Designed in collaboration with New York-based architects Aranda Lasch, the Arup Advanced Geometry Unit and the Music Research Centre of York University, the structure was inspired by the cosmological theories of Paul Steinhardt and Neil Turok, and offered a sonic environment in which newly commissioned works by well-known musicians were performed. This survey of the project includes a book containing Todd Eberle’s photographs of the structure, a poster, a newspaper and a red vinyl LP with music by contemporary electronica musicians such as Alexej Borisov, Tommi Grönlund, Petteri Nisunen, Christian Fennesz, Carsten Nicolai, Zsolt Olejnik, Finnbogi Petursson, Franz Pomassl, Terre Thaemlitz and Zavoloka.

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Paperback
Book cover for 9783869842424
 
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Box edition from Verlag Fur Moderne Kunst (April 30, 2012); titled "The Morning Line: The Morning Line: Aranda Lasch, Arup Agu"
9783869842424 | details & prices | 139 pages | 12.25 × 12.25 × 1.00 in. | 3.20 lbs | List price $80.00
About: Situated at the interaction of art, architecture, music, mathematics, cosmology and science, Matthew Ritchie’s “The Morning Line” is a 33-foot high sound pavilion, constructed in aluminum and conceived in part as a successor to Edgard Varèse and Le Corbusier’s pavilion for the 1958 World’s Fair, and Fritz Bornemann’s Expo ’70 Pavilion.

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