In Pat Frankâs 1959 novel Alas, Babylon, the character Helen says of her children: âAll their lives, ever since theyâve known anything, theyâve lived under the shadow of warâatomic war. For them the abnormal has become normal.â The threat of nuclear annihilation was a constant source of dread during the Cold War, and in Under the Shadow, author David Seed examines how authors and filmmakers made repeated efforts in their work to imagine the unimaginable.
Seed discusses classics of the period like Nevil Shuteâs On the Beach, but he also argues for recognition of less-known works such as Walter M. Millerâs depiction of historical cycles in A Canticle for Leibowitz, Bernard Wolfeâs black comedy of aggression in Limbo, or Mordecai Roshwaldâs satirical depiction of technology running out of human control in Level 7. Seed relates these literary works to their historical contexts and to their adaptations in film. Two prime examples of this interaction between media are the motion pictures Fail-Safe and Dr. Strangelove, which dramatize the threat posed by the arms race to rationality and ultimate human survival.
Seed addresses the attempts made by characters to remap America as a central part of their efforts to understand the horrors of the war. A particular subset of future histories is also examined: accounts of a Third World War, which draw on the conventions of military history and reportage to depict probable war scenarios. Under the Shadow concludes with a discussion of the recent fiction of nuclear terrorism.
About: An engrossing analysis of the fiction of nuclear war In Pat Frankâs 1959 novel Alas, Babylon, the character Helen says of her children: âAll their lives, ever since theyâve known anything, theyâve lived under the shadow of warâatomic war.
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