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Music Philology: An Introduction to Musical Textual Criticism, Hermeneutics, and Editorial Technique
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Bibliographic Detail
Publisher Pendragon Pr
Publication date May 30, 2011
Pages 195
Binding Paperback
Book category Adult Non-Fiction
ISBN-13 9781576471135
ISBN-10 1576471136
Dimensions 0.50 by 5.75 by 9 in.
Weight 0.76 lbs.
Original list price $42.00
Amazon.com says people who bought this book also bought:
The Critical Editing of Music
Summaries and Reviews
Amazon.com description: Product Description: In The Critical Editing of Music (1996) James Grier called Georg Feder's Musikphilologie (Darmstadt: Wissenschaftliche Buchgesellschaft, 1987) the most important contribution to date on textual criticism in music and the only one that considers the full range of critical issues in editing (Grier, p. 14). Pendragon Press s edition of Feder s Music Philology now makes available in English translation this essential, intellectually engaging but concise discussion of the complex and multi-faceted tasks in traditional scholarly editing of music.

From the Middle Ages to the present, music has been written down and disseminated in notated form. In evaluating music notation, philological methods have been used more and more. These methods come from linguistic disciplines and are linked with specifically musical traditions and subjects. Starting with the relationships of music and language, tradition and understanding, work and text, Feder describes the fundamentals of music philology and its tasks. In addition to the musical sources themselves, theoretical and historical sources enable the critical study of questions about authenticity, dating, origin, and dissemination.

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Paperback
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from Pendragon Pr (May 30, 2011)
9781576471135 | details & prices | 195 pages | 5.75 × 9.00 × 0.50 in. | 0.76 lbs | List price $42.00
About: In The Critical Editing of Music (1996) James Grier called Georg Feder's Musikphilologie (Darmstadt: Wissenschaftliche Buchgesellschaft, 1987) the most important contribution to date on textual criticism in music and the only one that considers the full range of critical issues in editing (Grier, p.

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