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Dal Tokyo
By
Gary Panter
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Jump down to see edition details for: Hardcover
Bibliographic Detail
Publisher
Fantagraphics Books
Publication date
September 19, 2012
Pages
137
Binding
Hardcover
Book category
Adult Non-Fiction
ISBN-13
9781560978862
ISBN-10
1560978864
Dimensions
1 by 16 by 6.25 in.
Weight
2.42 lbs.
Original list price
$35.00
Amazon.com says people who bought this book also bought:
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The New World: Comics from Mauretania | Street Fighting Man: Spain Vol. 1 | Songy Of Paradise | The Complete Multiple Warheads 1 | Cola Madnes | Epileptic | Turn Loose Our Death Rays and Kill Them All!
Summaries and Reviews
Summary
A large-spread volume of the complete strips of a comic series that reflected a convergence between Texas and Japanese cultures follows its characters' self-mythologizing and over-value of the limited resources of their world, in an edition that offers insight into the creator's applications of 'ratty line' illustrations, near-Joycean wordplay, and non-sequiturs.
Amazon.com description: Product Description: Dal Tokyo was a monthly comic strip, drawn in Panter’s groundbreaking “ratty line,” about a future Mars that is terra-formed by Texan and Japanese workers. In 1983 the L.A. Reader published the first 63 strips. A few years later, the Japanese reggae magazine Riddim picked up the strip, and Panter continued the saga of Dal Tokyo in installments for over a decade.
Editions
Hardcover
The price comparison is for this edition
from Fantagraphics Books (September 19, 2012)
9781560978862 | details & prices | 137 pages | 16.00 × 6.25 × 1.00 in. | 2.42 lbs | List price $35.00
About: A large-spread volume of the complete strips of a comic series that reflected a convergence between Texas and Japanese cultures follows its characters' self-mythologizing and over-value of the limited resources of their world, in an edition that offers insight into the creator's applications of 'ratty line' illustrations, near-Joycean wordplay, and non-sequiturs.
About: A large-spread volume of the complete strips of a comic series that reflected a convergence between Texas and Japanese cultures follows its characters' self-mythologizing and over-value of the limited resources of their world, in an edition that offers insight into the creator's applications of 'ratty line' illustrations, near-Joycean wordplay, and non-sequiturs.
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