Emily is one of the most memorable characters in all of fiction. To be frank, I simply fell in love with her. Through her, I was able to not only see but to better appreciate life itself and the simple beauties it manifests. When she was hurt or pained, I shared her sorrow; many times, I felt compelled to jump up and somehow defend her against the monstrous injustices inflicted upon her. I admired her morality and deep commitment to honor, a commitment so deep that she sacrificed in deference to it her own deep love for Valancourt, a love so deep that it alone allowed her to withstand the horrors of Count Montoni and the castle of Udolpho. Certainly, Emily is very sensitive and overdramatic, and she does tend to faint a lot, but she is a pure angel to someone like myself who is a Victorian at heart.
I wish I could mention all of the wonderful characters and all of the scenes and events, both beautiful and horrific, to be found in these pages. These were times when I literally had to put one hand across the page to keep from jumping ahead to see what was about to happen. I do want to stress the beauty and romance of the novel because these aspects are overshadowed by the perception people have of Gothic literature.
About: A best-seller in its day and a potent influence on Sade, Poe, and other purveyors of eighteenth and nineteenth-century Gothic horror, The Mysteries of Udolpho remains one of the most important works in the history of European fiction.
About: An excerpt of a review from The Monthly Review [published in 1794] : THE numerous mysteries of the plot are fully disclosed in this edition, which is the conclusion, and the reader is perfectly satisfied at finding villainy punished, and steady virtue and persevering affection rewarded.
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