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The Life And Death of Classical Music: Featuring the 100 Best And 20 Worst Recordings Ever Made
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Bibliographic Detail
Publisher
Anchor Books
Publication date
April 10, 2007
Pages
307
Binding
Paperback
Book category
Adult Non-Fiction
ISBN-13
9781400096589
ISBN-10
1400096588
Dimensions
0.75 by 5.25 by 8 in.
Weight
0.70 lbs.
Original list price
$16.00
Amazon.com says people who bought this book also bought:
Music and Politics: Collected Writings, 1953-81 | Who Needs Classical Music? | The Columbia Guide to Online Style | The Maestro Myth | The Book of Musical Anecdotes/Hundreds of Classic and Little-Known Stories About the World's Greatest Composers and Performers | The Companion to 20Th-Century Music | Who Killed Classical Music?
Music and Politics: Collected Writings, 1953-81 | Who Needs Classical Music? | The Columbia Guide to Online Style | The Maestro Myth | The Book of Musical Anecdotes/Hundreds of Classic and Little-Known Stories About the World's Greatest Composers and Performers | The Companion to 20Th-Century Music | Who Killed Classical Music?
Summaries and Reviews
Summary
Looks at the rise and fall of the classical music recording industry, from the first notes of Enrico Caruso; to the heyday of Bernstein, Could, Callas, and Karajan; to the industry's collapse in the wake of corporate control and the growth of 'crossover,' citing the finest one hundred and the worst twenty classical recordings ever made. Original. 30,000 first printing.
Editions
Paperback
The price comparison is for this edition
from Anchor Books (April 10, 2007)
9781400096589 | details & prices | 307 pages | 5.25 × 8.00 × 0.75 in. | 0.70 lbs | List price $16.00
About: Looks at the rise and fall of the classical music recording industry, from the first notes of Enrico Caruso; to the heyday of Bernstein, Could, Callas, and Karajan; to the industry's collapse in the wake of corporate control and the growth of 'crossover,' citing the finest one hundred and the worst twenty classical recordings ever made.
About: Looks at the rise and fall of the classical music recording industry, from the first notes of Enrico Caruso; to the heyday of Bernstein, Could, Callas, and Karajan; to the industry's collapse in the wake of corporate control and the growth of 'crossover,' citing the finest one hundred and the worst twenty classical recordings ever made.
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