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The Museum of Non-Objective Painting: Hilla Rebay and the Origins of the Solomon R. Guggenheim Museum
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Bibliographic Detail
Publisher
Solomon R Guggenheim Museum
Publication date
August 31, 2009
Pages
351
Binding
Hardcover
Book category
Adult Non-Fiction
ISBN-13
9780892073931
ISBN-10
0892073934
Dimensions
1.25 by 9 by 10.75 in.
Weight
4.20 lbs.
Availability§
Out of Print
Original list price
$45.00
§As reported by publisher
Summaries and Reviews
Amazon.com description: Product Description: Exploring the origins and early days of the Guggenheim Museum--when it was first known as the Museum of Non-Objective Painting--this volume reveals for the first time the Guggenheim's complex architectural history, drawing on extensive correspondence between Founding Director Hilla Rebay and artist Rudolf Bauer (whose work the Guggenheim collected exhaustively) to reveal the leading role Bauer played in envisioning the collection and the museum. It also explores Rebay's unusual curatorial conceptions and framing practices at the museum's early locations. Karol Vail provides biographies of many lesser-known artists in the museum's collection, while others discuss the museum's early history and ambitions. Architectural drawings, installation views, photographs and color plates of selected artworks help track the rise of this great museum.
Editions
Hardcover
The price comparison is for this edition
from Solomon R Guggenheim Museum (August 31, 2009)
9780892073931 | details & prices | 351 pages | 9.00 × 10.75 × 1.25 in. | 4.20 lbs | List price $45.00
About: Exploring the origins and early days of the Guggenheim Museum--when it was first known as the Museum of Non-Objective Painting--this volume reveals for the first time the Guggenheim's complex architectural history, drawing on extensive correspondence between Founding Director Hilla Rebay and artist Rudolf Bauer (whose work the Guggenheim collected exhaustively) to reveal the leading role Bauer played in envisioning the collection and the museum.
About: Exploring the origins and early days of the Guggenheim Museum--when it was first known as the Museum of Non-Objective Painting--this volume reveals for the first time the Guggenheim's complex architectural history, drawing on extensive correspondence between Founding Director Hilla Rebay and artist Rudolf Bauer (whose work the Guggenheim collected exhaustively) to reveal the leading role Bauer played in envisioning the collection and the museum.
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