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In the Blink of an Ear: Toward a Non-Cochlear Sonic Art
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Bibliographic Detail
Publisher Bloomsbury USA Academic
Publication date July 1, 2009
Pages 267
Binding Paperback
Edition 1
Book category Adult Non-Fiction
ISBN-13 9780826429711
ISBN-10 0826429718
Dimensions 0.75 by 5.75 by 8.75 in.
Weight 0.90 lbs.
Original list price $25.95
Summaries and Reviews
Amazon.com description: Product Description:

An ear-opening reassessment of sonic art from World War II to the present

Marcel Duchamp famously championed a "non-retinal" visual art, rejecting judgments of taste and beauty. In the Blink of an Ear is the first book to ask why the sonic arts did not experience a parallel turn toward a non-cochlear sonic art, imagined as both a response and a complement to Duchamp's conceptualism. Rather than treat sound art as an artistic practice unto itself-or as the unwanted child of music-artist and theorist Seth Kim-Cohen relates the post-War sonic arts to contemporaneous movements in the gallery arts. Applying key ideas from poststructuralism, deconstruction, and art history, In the Blink of an Ear suggests that the sonic arts have been subject to the same cultural pressures that have shaped minimalism, conceptualism, appropriation, and relational aesthetics. Sonic practice and theory have downplayed - or, in many cases, completely rejected - the de-formalization of the artwork and its simultaneous animation in the conceptual realm.
Starting in 1948, the simultaneous examples of John Cage and Pierre Schaeffer initiated a sonic theory-in-practice, fusing clement Greenberg's media-specificity with a phenomenological emphasis on perception. Subsequently, the "sound-in-itself" tendency has become the dominant paradigm for the production and reception of sound art. Engaged with critical texts by Jacques Derrida, Rosalind Krauss, Friedrich Kittler, Jean François Lyotard, and Jacques Attali, among others, Seth Kim-Cohen convincingly argues for a reassessment of the short history of sound art, rejecting sound-in-itself in favor of a reading of sound's expanded situation and its uncontainable textuality. At the same time, this important book establishes the principles for a nascent non-cochlear sonic practice, embracing the inevitable interaction of sound with the social, the linguistic, the philosophical, the political, and the technological.

Artists discussed include:

George Brecht
John Cage
Janet Cardiff
Marcel Duchamp
Bob Dylan
Valie Export
Luc Ferrari
Jarrod Fowler
Jacob Kirkegaard
Alvin Lucier
Robert Morris
Muddy Waters
John Oswald
Marina Rosenfeld
Pierre Schaeffer
Stephen Vitiello
La Monte Young



Editions
Hardcover
Book cover for 9780826429704
 
from Bloomsbury USA Academic (July 1, 2009)
9780826429704 | details & prices | 267 pages | 6.25 × 9.50 × 1.00 in. | 1.15 lbs | List price $90.00
About: An ear-opening reassessment of sonic art from World War II to the present Marcel Duchamp famously championed a "non-retinal" visual art, rejecting judgments of taste and beauty.
Paperback
Book cover for 9780826429711
 
The price comparison is for this edition
1 edition from Bloomsbury USA Academic (July 1, 2009)
9780826429711 | details & prices | 267 pages | 5.75 × 8.75 × 0.75 in. | 0.90 lbs | List price $25.95
About: An ear-opening reassessment of sonic art from World War II to the present Marcel Duchamp famously championed a "non-retinal" visual art, rejecting judgments of taste and beauty.

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