Challenging the commonplaces of historicist criticism, and demonstrating the need for a return to close reading, The Old Story, with a Difference presents a reading of the novel grounded in the twinned rigors of materialist historiography and theoretical inflections tending toward attentiveness to epistemological and linguistic concerns. Through such an orientation, Wolfreys unpacks the relation between the tropes of visuality and matters of memory, history, and the necessity of fiction to bear witness to the cultures, past and present, from which literature becomes generated and which it mediates. In doing so, he situates an argument for rethinking Dickensâ novel as the inaugural novel of Victorian fiction par excellence, in that novelâs efforts to remain open to the traces of the past in particular ways.
The Old Story, with a Difference holds profound implications for the study not only of Dickensâ works but Victorian literature and culture in general. Provocative and inventive, this ambitious analysis will challenge, goad, and invite the reader to return to acts of materialist reading informed by ethical and ideological urgency, rather than relapsing into the commonplaces of humanist cliché.
About: The Old Story, with a Difference: Pickwickâs Vision explores in radically different ways from most approaches to nineteenth-century studies the tropes and metaphors of vision in Dickensâ first novel, The Pickwick Papers.
About: The Old Story, with a Difference: Pickwickâs Vision explores in radically different ways from most approaches to nineteenth-century studies the tropes and metaphors of vision in Dickensâ first novel, The Pickwick Papers.
About: The Old Story, with a Difference: Pickwickâs Vision explores in radically different ways from most approaches to nineteenth-century studies the tropes and metaphors of vision in Dickensâ first novel, The Pickwick Papers.
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