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Michael Haneke: The Intermedial Void
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Bibliographic Detail
Publisher Northwestern Univ Pr
Publication date March 15, 2017
Pages 256
Binding Hardcover
Book category Adult Non-Fiction
ISBN-13 9780810134607
ISBN-10 0810134608
Dimensions 0 by 6 by 9 in.
Original list price $99.95
Other format details university press
Summaries and Reviews
Amazon.com description: Product Description:
The two primary goals of this ambitious study are to provide a new framework in which to interpret the films of Michael Haneke, including Funny Games, Caché, and others, and to show how the concept of intermediality can be used to expand the possibilities of film and media studies, tying the two more closely together. Christopher Rowe argues that Haneke’s practice of introducing nonfilmic media into his films is not simply an aspect of his interest in society’s oversaturation in various forms of media. Instead, the use of video, television, photography, literary voice, and other media must be understood as modes of expression that fundamentally oppose the film medium itself. The “intermedial void” is a product of the absolute incommensurability of these media forms as perceptual and affective phenomena. Close analysis of specific films shows how their relationship to noncinematic media transforms the nature of the film image, and of film spectatorship.


Editions
Hardcover
Book cover for 9780810134607
 
The price comparison is for this edition
from Northwestern Univ Pr (March 15, 2017)
9780810134607 | details & prices | 256 pages | List price $99.95
About: The two primary goals of this ambitious study are to provide a new framework in which to interpret the films of Michael Haneke, including Funny Games, Caché, and others, and to show how the concept of intermediality can be used to expand the possibilities of film and media studies, tying the two more closely together.
Paperback
Book cover for 9780810134591
 
Reprint edition from Northwestern Univ Pr (March 15, 2017)
9780810134591 | details & prices | 256 pages | List price $34.95
About: The two primary goals of this ambitious study are to provide a new framework in which to interpret the films of Michael Haneke, including Funny Games, Caché, and others, and to show how the concept of intermediality can be used to expand the possibilities of film and media studies, tying the two more closely together.

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