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Wartime Kiss: Visions of the Moment in the 1940s
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Bibliographic Detail
Publisher Princeton Univ Pr
Publication date November 5, 2012
Pages 175
Binding Hardcover
Book category Adult Non-Fiction
ISBN-13 9780691145785
ISBN-10 0691145784
Dimensions 0.75 by 6.50 by 9.75 in.
Weight 1.12 lbs.
Original list price $24.95
Other format details university press
Summaries and Reviews
Amazon.com description: Product Description:

Wartime Kiss is a personal meditation on the haunting power of American photographs and films from World War II and the later 1940s. Starting with a stunning reinterpretation of one of the most famous photos of all time, Alfred Eisenstaedt's image of a sailor kissing a nurse in Times Square on V-J Day, Alexander Nemerov goes on to examine an array of mostly forgotten images and movie episodes--from a photo of Jimmy Stewart and Olivia de Havilland lying on a picnic blanket in the Santa Barbara hills to scenes from such films as Twelve O'Clock High and Hold Back the Dawn. Erotically charged and bearing traces of trauma even when they seem far removed from the war, these photos and scenes seem to hold out the promise of a palpable and emotional connection to those years.

Through a series of fascinating stories, Nemerov reveals the surprising background of these bits of film and discovers unexpected connections between the war and Hollywood, from an obsession with aviation to Anne Frank's love of the movies. Beautifully written and illustrated, Wartime Kiss vividly evokes a world in which Margaret Bourke-White could follow a heroic assignment photographing a B-17 bombing mission over Tunis with a job in Hollywood documenting the filming of a war movie. Ultimately this is a book about history as a sensuous experience, a work as mysterious, indescribable, and affecting as a novel by W. G. Sebald.



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Hardcover
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from Princeton Univ Pr (November 5, 2012)
9780691145785 | details & prices | 175 pages | 6.50 × 9.75 × 0.75 in. | 1.12 lbs | List price $24.95
About: Wartime Kiss is a personal meditation on the haunting power of American photographs and films from World War II and the later 1940s.

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