search for books and compare prices
cover image
Wordless Rhetoric: Musical Form and the Metaphor of the Oration
The price is the lowest for any condition, which may be new or used; other conditions may also be available. Rental copies must be returned at the end of the designated period, and may involve a deposit.
Jump down to see edition details for: Hardcover
Bibliographic Detail
Publisher Harvard Univ Pr
Publication date September 1, 1991
Binding Hardcover
Book category Adult Non-Fiction
ISBN-13 9780674956025
ISBN-10 0674956028
Dimensions 1 by 6.50 by 9.75 in.
Weight 1.10 lbs.
Availability§ Publisher Out of Stock Indefinitely
Original list price $54.00
Other format details university press
§As reported by publisher says people who bought this book also bought:
Playing With Signs | Musica Poetica | Absolute Music | Emotion and Meaning in Music
Summaries and Reviews description: Product Description: Although "form" is one of the most commonly used terms in music interpretation, it remains one of the most ambiguous. This study explores evolving ideas of musical form from a historical perspective and sheds light on current conceptualizations of music. Evan Bonds examines the image - dominant among 18th-century composers and analysts - of music as a language, a kind of wordless discourse, which could move audiences. In the Baroque and Classical periods an instrumental composition was viewed as analogous to an oration, its form the intelligible elaboration of a central thematic idea. The predominant emphasis, therefore, was on the perspective of the listener. This rhetorical metaphor is shown giving way in the 19th century to the idea of a musical work as an organic entity, an image that emphasizes the autonomy of the work. The listener, in effect, becomes merely an interested third party. In his account of these changing perspectives, Bonds draws on the writings of a broad range of 18th- and 19th-century theorists. His analyses focus on specific sonata form movements by Haydn, Mozart, and Beethoven and are informed by the theoretical premises that characterize the composers' own times. In a final synthesis, the 18th-century rhetorical model - with its focus on the structural function of musical ideas and the role of the listener - emerges as a forerunner of today's listener-orientated and plot theories about musical form. In "Wordless Rhetoric" Bonds makes use of literary theory to develop his innovative evaluation of musical form. This book should be useful to anyone who studies music or seeks to understand music analysis.

Book cover for 9780674956025
The price comparison is for this edition
from Harvard Univ Pr (September 1, 1991)
9780674956025 | details & prices | 6.50 × 9.75 × 1.00 in. | 1.10 lbs | List price $54.00
About: Although "form" is one of the most commonly used terms in music interpretation, it remains one of the most ambiguous.

Pricing is shown for items sent to or within the U.S., excluding shipping and tax. Please consult the store to determine exact fees. No warranties are made express or implied about the accuracy, timeliness, merit, or value of the information provided. Information subject to change without notice. is not a bookseller, just an information source.