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Bibliographic Detail
Publisher
Routledge
Publication date
April 1, 2004
Binding
Hardcover
Book category
Adult Non-Fiction
ISBN-13
9780415319645
ISBN-10
0415319641
Dimensions
0.75 by 6 by 9 in.
Weight
0.85 lbs.
Published in
Great Britain
Original list price
$130.00
Amazon.com says people who bought this book also bought:
Rehearsal from Shakespeare to Sheridan | Doctor Faustus | Hamlet | Documents of Performance in Early Modern England | Shakespeare's Theatres and the Effects of Performance | The Lais of Marie De France | The Year of Lear | Four Revenge Tragedies "The Spanish Tragedy", "the Revenger's Tragedy", "the Revenge of Bussy D'ambois", and "the Atheist's Tragedy" | English Renaissance Drama
Rehearsal from Shakespeare to Sheridan | Doctor Faustus | Hamlet | Documents of Performance in Early Modern England | Shakespeare's Theatres and the Effects of Performance | The Lais of Marie De France | The Year of Lear | Four Revenge Tragedies "The Spanish Tragedy", "the Revenger's Tragedy", "the Revenge of Bussy D'ambois", and "the Atheist's Tragedy" | English Renaissance Drama
Summaries and Reviews
(view table of contents)
Amazon.com description: Product Description: Making Shakespeare is a lively introduction to the major issues of the stage and print history, whilst also raising questions about what a Shakespeare play actually is. Tiffany Stern reveals how London, the theatre, the actors and the way in which the plays were written and printed all affect the 'Shakespeare' that we now read. Concentrating on the instability and fluidity of Shakespeare's texts, her book discusses what happened to a manuscript between its first composition, its performance on stage and its printing, and identifies traces of the production system in the plays we read. She argues that the versions of Shakespeare that have come down to us have inevitably been formed by the contexts from which they emerged; being shaped by, for example, the way actors received and responded to their lines, the props and music used in the theatre, or the continual revision of plays by the playhouses and printers. Allowing a fuller understanding of the texts we read and perform, Making Shakespeare is the perfect introduction to issues of stage and page. A refreshingly clear, accessible read, this book will allow even those with no expert knowledge to begin to contextualize Shakespeare's plays for themselves, in ways both old and new.
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