Vollard’s groundbreaking exhibition in 1895 of Cézanne’s work definitively established the artist’s reputation, and Vollard subsequently organized major exhibitions of the Nabis, Gauguin, and Van Gogh; promoted the work of artists ranging from Degas to Rouault to the Fauves; and gave many young artists, including Picasso and Matisse, their first solo shows. In addition, Vollard published print albums and livres d’artiste that are among the most celebrated of the early 20th century. This important volume features twenty-two essays that examine Vollard’s career and expertise in the art market, his relationships with individual artists and collectors, and a wealth of previously unpublished material from the newly available archive of Vollard’s documents and from the archives of the artists he represented.
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