The contributors to this volume explore various aspects of Still's art, his accomplishments, and the Abstract Expressionism movement. David Anfam presents an overview of Still's career from the 1930s through 1950s. Brooks Adams examines Still's artistic legacy and influence on succeeding generations of artists. And Neal Benezra's chapter focuses on a provocative, unexplored element of Still's studio practice: his habit of painting replicas of many of his own works.
This book accompanies an exhibition at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., from 21 June through 16 September, 2001. The exhibition will offer an unprecedented opportunity to view outstanding examples of Still's work, many of which have not been on public display for decades.
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