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By
Ali Behdad
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Bibliographic Detail
Publisher
Univ of Chicago Pr
Publication date
August 22, 2016
Pages
208
Binding
Paperback
Book category
Adult Non-Fiction
ISBN-13
9780226356402
ISBN-10
022635640X
Dimensions
0 by 7 by 10 in.
Original list price
$30.00
Other format details
university press
Amazon.com says people who bought this book also bought:
camera ottomana: photography and modernity in the ottoman empire 1840-1914 | The Family of Man Revisited: Photography in a Global Age | Family Life in the Ottoman Mediterranean: A Social History | The Age of the Efendiyya | The Arab Imago | A Different Shade of Colonialism | Photography's Orientalism
camera ottomana: photography and modernity in the ottoman empire 1840-1914 | The Family of Man Revisited: Photography in a Global Age | Family Life in the Ottoman Mediterranean: A Social History | The Age of the Efendiyya | The Arab Imago | A Different Shade of Colonialism | Photography's Orientalism
Summaries and Reviews
Amazon.com description: Product Description:
In the decades after its invention in 1839, photography was inextricably linked to the Middle East. Introduced as a crucial tool for Egyptologists and Orientalists who needed to document their archaeological findings, the photograph was easier and faster to produce in intense Middle Eastern light—making the region one of the original sites for the practice of photography. A pioneering study of this intertwined history, Camera Orientalis traces the Middle East’s influences on photography’s evolution, as well as photography’s effect on Europe’s view of “the Orient.”
Considering a range of Western and Middle Eastern archival material from the late nineteenth and early twentieth centuries, Ali Behdad offers a rich account of how photography transformed Europe’s distinctly Orientalist vision into what seemed objective fact, a transformation that proved central to the project of European colonialism. At the same time, Orientalism was useful for photographers from both regions, as it gave them a set of conventions by which to frame exotic Middle Eastern cultures for Western audiences. Behdad also shows how Middle Eastern audiences embraced photography as a way to foreground status and patriarchal values while also exoticizing other social classes.
An important examination of previously overlooked European and Middle Eastern photographers and studios, Camera Orientalis demonstrates that, far from being a one-sided European development, Orientalist photography was the product of rich cultural contact between the East and the West.
Considering a range of Western and Middle Eastern archival material from the late nineteenth and early twentieth centuries, Ali Behdad offers a rich account of how photography transformed Europe’s distinctly Orientalist vision into what seemed objective fact, a transformation that proved central to the project of European colonialism. At the same time, Orientalism was useful for photographers from both regions, as it gave them a set of conventions by which to frame exotic Middle Eastern cultures for Western audiences. Behdad also shows how Middle Eastern audiences embraced photography as a way to foreground status and patriarchal values while also exoticizing other social classes.
An important examination of previously overlooked European and Middle Eastern photographers and studios, Camera Orientalis demonstrates that, far from being a one-sided European development, Orientalist photography was the product of rich cultural contact between the East and the West.
Editions
Hardcover
from Univ of Chicago Pr (August 22, 2016)
9780226356372 | details & prices | 208 pages | List price $90.00
About: In the decades after its invention in 1839, photography was inextricably linked to the Middle East.
About: In the decades after its invention in 1839, photography was inextricably linked to the Middle East.
Paperback
The price comparison is for this edition
from Univ of Chicago Pr (August 22, 2016)
9780226356402 | details & prices | 208 pages | List price $30.00
About: In the decades after its invention in 1839, photography was inextricably linked to the Middle East.
About: In the decades after its invention in 1839, photography was inextricably linked to the Middle East.
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