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Musical Symbolism in the Operas of Debussy and Bartok: Trauma, Gender, and the Unfolding Unconscious
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Bibliographic Detail
Publisher Oxford Univ Pr on Demand
Publication date July 22, 2004
Pages 346
Binding Hardcover
Book category Adult Non-Fiction
ISBN-13 9780195103830
ISBN-10 0195103831
Dimensions 1 by 6.25 by 9.50 in.
Weight 1.45 lbs.
Original list price $135.00
Other format details university press
Summaries and Reviews
Amazon.com description: Product Description: Two early twentieth-century operas -- Debussy's Pelleas et Melisande (1902) and Bartok's Duke Bluebeard's Castle (1911) -- transformed the traditional major/minor scale system into a new musical language. This new language was based almost exclusively on interactions between folk modalities and their more abstract symmetrical transformations. Elliott Antokoletz reveals not only the new musical language of these operas, but also the way in which they share a profound correspondence with the growing symbolist literary movement as reflected in their libretti. In the symbolist literary movement, authors reacted to the realism of nineteenth-century theatre by conveying meaning by suggestion, rather than direct statement. The symbolist conception included a new interest in psychological motivation and consciousness manifested itself in metaphor, ambiguity, and symbol.

In this groundbreaking study, Antokoletz links the new musical language of these two operas with this symbolist conception and reveals a direct connection between the Debussy and Bartok operas. He shows how the opposing harmonic extremes serve as a basis for the dramatic polarity between real-life beings and symbols of fate. He also explores how the libretti by Franco-Belgian poet Maurice Maeterlinck (Pelleas et Melisande) and his Hungarian disciple Bela Balazs (Duke Bluebeard's Castle) transform the internal concept of subconscious motivation into an external one, one in which fate controls human emotions and actions.

Using a pioneering approach to theoretical analysis, Antokoletz, explores the new musico-dramatic relations within their larger historical, social psychological, philosophical, and aesthetic contexts.

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Hardcover
Book cover for 9780195103830
 
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from Oxford Univ Pr on Demand (July 22, 2004)
9780195103830 | details & prices | 346 pages | 6.25 × 9.50 × 1.00 in. | 1.45 lbs | List price $135.00
About: Two early twentieth-century operas -- Debussy's Pelleas et Melisande (1902) and Bartok's Duke Bluebeard's Castle (1911) -- transformed the traditional major/minor scale system into a new musical language.

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