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The Oxford Illustrated History of Opera
By Roger Parker (editor)
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Bibliographic Detail
Publisher Oxford Univ Pr
Publication date June 28, 2001
Pages 560
Binding Paperback
Book category Adult Non-Fiction
ISBN-13 9780192854452
ISBN-10 0192854453
Dimensions 1 by 7.25 by 9.25 in.
Weight 2.80 lbs.
Published in Great Britain
Original list price $29.95
Other format details university press
Summaries and Reviews
Amazon.com description: Product Description: In its lavish amalgam of theatrical and musical resources, its flamboyant charm, its extravagant appeal to the heart and the mind, and its seemingly inexhaustible power to move and astonish us, opera is clearly the most spectacular of all the arts. Now, in this beautifully illustrated, oversized volume--boasting over 250 pictures, 30 in full color--eleven leading authorities chronicle the full sweep of this stunning musical genre, ranging from the earliest known works to such recent experimental efforts as Robert Wilson and Philip Glass's Einstein on the Beach.
The contributors--including such noted opera critics as William Ashbrook, Paul Griffiths, and Barry Millington--provide superb coverage of all the major periods. We read of the remarkable success of opera in republican Venice, where by 1650 some fifty operas had been performed, including masterworks by Monteverdi, the giant of the era. We learn of opera seria--which within the world of eighteenth-century Italian opera was the summit of prestige--and opera buffa, most noted today for three major works by Mozart: Le Nozze di Figaro, Don Giovanni, and Cosi Fan Tutti. We explore the peak of opera's popularity in nineteenth-century France, Italy, and Germany, with astute commentary on such major composers as Berlioz, Bizet, Rossini, Donizetti, and especially Wagner and Verdi. And we examine the remarkably diverse works of our own century, from Strauss's Der Rosenkavalier and Alban Berg's Wozzeck to Benjamin Britten's Death in Venice and John Adams's Nixon in China. Throughout, the contributors illuminate how opera often reflects the cultural concerns of the age, how it is part of the social fabric, and in three fascinating sections on staging, singers, and the social climate, they give us a look behind the scenes as well as a feel for what opera was like in the past. We discover, for instance, that before the late nineteenth century, patrons were not expected to arrive on time, sit still, keep quiet, concentrate on the stage action, or stay to the end (Wagner put an end to this practice by darkening the theatre). Not least important are the numerous illustrations in the book, which highlight the richly visual nature of opera, the manner in which it communicates so vividly through staging and costume. Exhaustively researched and informatively captioned, these striking pictures offer an immediacy with the past that both enriches and complements the narrative.
Nowhere does the rich panoply of opera history unfold more grandly than in this volume. Authoritative, vividly written, and exquisitely designed, it will be treasured by everyone who loves opera.

Editions
Hardcover
Book cover for 9780198162827
 
from Oxford Univ Pr (December 1, 1994)
9780198162827 | details & prices | 7.75 × 10.00 × 1.50 in. | 3.90 lbs | List price $55.00
About: Chronicles the history of opera and covers the major periods, including those of Italy, France, and Germany, and provides commentary on such composers as Mozart, Rossini, Wagner, and Verdi
Paperback
Book cover for 9780192854452
 
The price comparison is for this edition
from Oxford Univ Pr (June 28, 2001)
9780192854452 | details & prices | 560 pages | 7.25 × 9.25 × 1.00 in. | 2.80 lbs | List price $29.95
About: In its lavish amalgam of theatrical and musical resources, its flamboyant charm, its extravagant appeal to the heart and the mind, and its seemingly inexhaustible power to move and astonish us, opera is clearly the most spectacular of all the arts.

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