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Jump down to see edition details for: Hardcover
Bibliographic Detail
Publisher
Prentice Hall
Publication date
January 31, 2015
Binding
Hardcover
Edition
13 pck lsl
Book category
Adult Non-Fiction
ISBN-13
9780133865462
ISBN-10
0133865460
Availability§
Publisher Out of Stock
Original list price
$157.33
§As reported by publisher
Amazon.com says people who bought this book also bought:
Signs: A Grammar Handbook | Pocket Guide to Apa Style | Argument Today | Human Communication in Society | Gardner's Art Through the Ages | Sources of the Making of the West | Writing in Response | My Math Lab | Rules for Writers With Writing About Literature - 2016 MLA
Signs: A Grammar Handbook | Pocket Guide to Apa Style | Argument Today | Human Communication in Society | Gardner's Art Through the Ages | Sources of the Making of the West | Writing in Response | My Math Lab | Rules for Writers With Writing About Literature - 2016 MLA
Summaries and Reviews
Editions
Hardcover
The price comparison is for this edition
With John E. Hornsby, Charles D. Miller, Vern E. Heeren |
13 pck lsl edition from Prentice Hall (January 31, 2015)
9780133865462 | details & prices | List price $157.33
With Noel Witts, Michael Huxley (other contributor), John E. Hornsby, Charles D. Miller, Vern E. Heeren |
from Routledge (February 1, 1996); titled "The Twentieth-Century Performance Reader"
9780415116275 | details & prices | 421 pages | 6.50 × 9.75 × 1.00 in. | 1.55 lbs | List price $150.00
This edition also contains The Twentieth-Century Performance Reader
About: The Twentieth-Century Performance Reader provides a pioneering introduction to all types of performance (dance, drama, music, theatre and live art) through the writings of forty-two practitioners, critics and theorists which together reaffirm performance as a discipline in its own terms.
This edition also contains The Twentieth-Century Performance Reader
About: The Twentieth-Century Performance Reader provides a pioneering introduction to all types of performance (dance, drama, music, theatre and live art) through the writings of forty-two practitioners, critics and theorists which together reaffirm performance as a discipline in its own terms.
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