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Introduction to the Theory of Abstract Algebras
By
Paul Hyland and
Richard S. Pierce
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Jump down to see edition details for Introduction to the Theory of Abstract Algebras: Hardcover | Paperback
Jump down to see edition details for Kicking Sawdust: Hardcover | Paperback
Jump down to see edition details for Kicking Sawdust: Hardcover | Paperback
Bibliographic Detail
Publisher
Harcourt College Pub
Publication date
June 1, 1968
Binding
Hardcover
Book category
Adult Non-Fiction
ISBN-13
9780030560101
ISBN-10
0030560101
Dimensions
0.50 by 6.50 by 9.75 in.
Weight
0.80 lbs.
Availability§
Out of Print
Original list price
$8.95
§As reported by publisher
Summaries and Reviews
Editions
Editions for the work Introduction to the Theory of Abstract Algebras
Hardcover
The price comparison is for this edition
With Paul Hyland |
from Harcourt College Pub (June 1, 1968)
9780030560101 | details & prices | 6.50 × 9.75 × 0.50 in. | 0.80 lbs | List price $8.95
This edition also contains Kicking Sawdust
This edition also contains Kicking Sawdust
Paperback
Reprint edition from Dover Pubns (January 14, 2015)
9780486789989 | details & prices | 148 pages | 6.00 × 8.75 × 0.50 in. | 0.48 lbs | List price $14.95
Editions for the work Kicking Sawdust
Hardcover
The price comparison is for this edition
With Richard S. Pierce |
from Harcourt College Pub (June 1, 1968); titled "Introduction to the Theory of Abstract Algebras"
9780030560101 | details & prices | 6.50 × 9.75 × 0.50 in. | 0.80 lbs | List price $8.95
This edition also contains Introduction to the Theory of Abstract Algebras
This edition also contains Introduction to the Theory of Abstract Algebras
Paperback
from Dufour Editions (May 1, 1996)
9781852243128 | details & prices | 5.50 × 8.50 × 0.25 in. | 0.30 lbs | List price $16.95
About: Critics and readers celebrated the power and subtlety of his earlier books, the inventiveness of his music, the variety of his forms, and above all the integrity of his vision.
About: Critics and readers celebrated the power and subtlety of his earlier books, the inventiveness of his music, the variety of his forms, and above all the integrity of his vision.
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