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Tables of Contents for Conversion to Modernism
Chapter/Section Title
Page #
Page Count
List of Illustrations and Works in the Exhibition
vii
 
Foreword and Acknowledgments
xi
 
Patterson Sims
Lenders to the Exhibition
xv
 
Preface
xvii
 
Francis M. Naumann
Youth and First Artistic Impulses (1907--1911)
3
14
The Ferrer Center: Formulating the Aesthetics of Anarchism (1912)
17
13
Stieglitz, Ridgefield, and the Assimilation of a Modernist Aesthetic (1913: Part 1)
30
20
New Words for New Images: Adon Lacroix and the Modern Poetry Movement (1913: Part 2)
50
23
Approaching the Art of Painting in Two Dimensions: The Paintings, Drawings, and Watercolors of 1914
73
38
The Art of Painting in Two Dimensions, Part 1: The Paintings, Drawings, and Watercolors of 1915
111
34
The Art of Painting in Two Dimensions, Part 2: The Paintings, Drawings, Watercolors, and Collages of 1916
145
30
The Art of Painting in More than Two Dimensions: The Paintings, Drawings, Watercolors, Cliche Verre, and Airbrush Compositions of 1917--1919
175
33
From an Art in Two Dimensions to the Higher Dimension of Ideas (1920--1921)
208
21
Afterword
Artists and Art Colonies of Ridgefield, New Jersey, Gail Stavitsky
217
8
Documents
A Primer of the New Art of Two Dimensions
225
1
Texts for the Revolving Doors
226
2
Card File
228
1
Chronology
229
6
Notes
235
16
Bibliography
251
6
Index
257