List of Figures

List of Tables

Preface

Acknowledgements

Introduction

1 Reger, Straube, and the Organ: Aspects of the Relationship, 1898-1916

Max Reger, the 'potent genius'

Karl Straube, the 'scholarly intelligence'

Reger, Straube, and the beginnings of collaboration

2 Reger's Music and Straube's Musicianship, 1898-1918

Questions and evidence

Straube's musical sense and his playing of Reger

Issues of influence

3 Reger's Music under Straube's Editorship, 1903-1938

Johann Sebastian Bach: Schule des Triospiels (1903)

Max Reger: Drei Orgelstücke op. 59/1-9 (1912)

Max Reger: Präludien und Fugen (1919)

Max Reger: Phantasie über den Choral 'Ein feste Burg' op. 21(1938)

Karl Matthaei: Vom Orgelspiel

'Lighter paper for lady cigarette smokers': thoughts on a complete Reger edition

4 Reger's Music at the Leipzig Conservatory and Church Music Institute, 1907-1948

Reger and Straube: relations to Leipzig

'The soul of the German people': Straube and a nationalist organ repertory

Teaching and performance within Straube's Leipzig curriculum

The Leipzig Conservatory organ and the implications of its history

Appendices

1 Documented Performances of Reger's Music at the Leipzig Conservatory, or at Concerts Sponsored by the Conservatory, 1905-1949

2 Documented Performances of Organ Music at the Leipzig Conservatory, or at Concerts Sponsored by the Conservatory, 1900-1950

3 Documented Performances of Reger's Music at the Motetten of St. Thomas Church/Leipzig, 1903-1914

4 Documented Performances of Organ Music at the Motetten of St. Thomas Church/Leipzig, 1903-1914

5 Karl Straube Performs, 1893-1922

6 The Concert Hall Organ of the Leipzig Conservatory, 1887-1944

Bibliography

Index