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Chapter/Section Title
Page #
Page Count
Foreword
vii
 
Prefatory. Statements and Acknowledgments
xiii
 
Polemical Introduction
3
338
Historical Criticism: Theory of Modes
Fictional Modes: Introduction
33
2
Tragic Fictional Modes
35
8
Comic Fictional Modes
43
9
Thematic Modes
52
19
Ethical Criticism: Theory of Symbols
Introduction
71
2
Literal and Descriptive Phases: Symbol as Motif and as Sing
73
9
Formal Phase: Symbol as Image
82
13
Mythical Phase: Symbol as Archetype
95
20
Anagogic Phase: Symbol as Monad
115
16
Archetypal Criticism: Theory of Myths
Introduction
131
10
Theory of Archetypal Meaning (1): Apocalyptic Imagery
141
6
Theory of Archetypal Meaning (2): Demonic Imagery
147
4
Theory of Archetypal Meaning (3): Analogical Imagery
151
7
Theory of Mythos: Introduction
158
5
The Mythos of Spring: Comedy
163
23
The Mythos of Summer: Romance
186
20
The Mythos of Autumn: Tragedy
206
17
The Mythos of Winter: Irony and Satire
223
20
Rhetorical Criticism: Theory of Genres
Introduction
243
8
The Rhythm of Recurrence: Epos
251
12
The Rhythm of Continuity: Prose
263
5
The Rhythm of Decorum: Drama
268
2
The Rhythm of Association: Lyric
270
12
Specific Forms of Drama
282
11
Specific Thematic Forms (Lyric and Epos)
293
10
Specific Continuous Forms (Prose Fiction)
303
12
Specific Encyclopaedic Forms
315
11
The Rhetoric of Non-Literary Prose
326
15
Tentative Conclusion
341
16
Notes
357
8
Glossary
365
4
Index
369