Emily Brontë's only novel, a work of tremendous and far-reaching influence. Lockwood, the new tenant of Thrushcross Grange, situated on the bleak Yorkshire moors, is forced to seek shelter one night at Wuthering Heights, the home of his landlord. There he discovers the history of the tempestuous events that took place years before; of the intense relationship between the gypsy foundling Heathcliff and Catherine Earnshaw; and how Catherine, forced to choose between passionate, tortured Heathcliff and gentle, well-bred Edgar Linton, surrendered to the expectations of her class. As Heathcliff's bitterness and vengeance at his betrayal is visited upon the next generation, their innocent heirs must struggle to escape the legacy of the past. In this edition, a new preface by Lucasta Miller, author of The Brontë Myth, looks at the ways in which the novel has been interpreted, from Charlotte Brontë onwards. This complements Pauline Nestor's introduction, which discusses changing critical receptions of the novel, as well as Emily Brontë's influences and background. Emily Brontë (1818-48), along with her sisters, Charlotte and Anne, was one of the most significant literary figures of the 19th century. She wrote just one strikingly innovative novel, Wuthering Heights, but was also a gifted and intense poet. If you enjoyed Wuthering Heights, you may like Charlotte Brontë's Jane Eyre, also available in Penguin Classics. 'Wuthering Heights is commonly thought of as "romantic", but try rereading it without being astonished by the comfortableness with which Brontë's characters subject one another to extremes of physical and psychological violence' Jeanette Winterson 'As a first novel, there is very little that can compare to it. Even Shakespeare took over a decade to reach the clifftop extremities of King Lear' Sarah Waters

Emily Brontë's only novel, a work of tremendous and far-reaching influence. Lockwood, the new tenant of Thrushcross Grange, situated on the bleak Yorkshire moors, is forced to seek shelter one night at Wuthering Heights, the home of his landlord. There he discovers the history of the tempestuous events that took place years before; of the intense relationship between the gypsy foundling Heathcliff and Catherine Earnshaw; and how Catherine, forced to choose between passionate, tortured Heathcliff and gentle, well-bred Edgar Linton, surrendered to the expectations of her class. As Heathcliff's bitterness and vengeance at his betrayal is visited upon the next generation, their innocent heirs must struggle to escape the legacy of the past. In this edition, a new preface by Lucasta Miller, author of The Brontë Myth, looks at the ways in which the novel has been interpreted, from Charlotte Brontë onwards. This complements Pauline Nestor's introduction, which discusses changing critical receptions of the novel, as well as Emily Brontë's influences and background. Emily Brontë (1818-48), along with her sisters, Charlotte and Anne, was one of the most significant literary figures of the 19th century. She wrote just one strikingly innovative novel, Wuthering Heights, but was also a gifted and intense poet. If you enjoyed Wuthering Heights, you may like Charlotte Brontë's Jane Eyre, also available in Penguin Classics. 'Wuthering Heights is commonly thought of as "romantic", but try rereading it without being astonished by the comfortableness with which Brontë's characters subject one another to extremes of physical and psychological violence' Jeanette Winterson 'As a first novel, there is very little that can compare to it. Even Shakespeare took over a decade to reach the clifftop extremities of King Lear' Sarah Waters

Traces the adventures of country-born Evelina as she tries to make it in London, pursued by cads, used by boorish relatives, and finally, redeemed by the noble Lord Orville

Anna Karenina, Leo Tolstoy's immortal tale of forbidden love in Czarist Russia, has been told many times and in many languages. It is the tragic story of a married woman and her affair with Count Vronsky. The novel explores a diverse range of topics throughout its pages. Some of these topics include an evaluation of the feudal system that existed in Russia at the time -- politics, not only in the Russian government but also at the level of the individual characters and families, religion, morality, gender and social class. We give the readers the opportunity to read “Anna Karenina “ in English and Russian languages. We provide an English translation by Constance Garnett after the original Russian text. English version in volume 1, Russian version in Volume 2. A great way to practice your reading skills and expand Russian vocabulary is through reading original written works by famous Russian authors.

The Road

The Road

The author's masterpiece is re-printed here, along with incisive commentary by H. G. Wells, Virginia Woolf, J. B. Priestly, Rebecca West, Somerset Maugham, and Henry James. Reprint.

It is a great pleasure to write the word; but I am not sure there is not a certain impudence in pretending to add anything to it. Venice has been painted and described many thousands of times, and of all the cities of the world is the easiest to visit without going there. Open the first book and you will find a rhapsody about it; step into the first picture-dealer's and you will find three or four high-coloured "views" of it. There is notoriously nothing more to be said on the subject. Every one has been there, and every one has brought back a collection of photographs. There is as little mystery about the Grand Canal as about our local thoroughfare, and the name of St. Mark is as familiar as the postman's ring. It is not forbidden, however, to speak of familiar things, and I hold that for the true Venice-lover Venice is always in order. There is nothing new to be said about her certainly, but the old is better than any novelty. It would be a sad day indeed when there should be something new to say. I write these lines with the full consciousness of having no information whatever to offer. I do not pretend to enlighten the reader; I pretend only to give a fillip to his memory; and I hold any writer sufficiently justified who is himself in love with his theme.

It is a great pleasure to write the word; but I am not sure there is not a certain impudence in pretending to add anything to it. Venice has been painted and described many thousands of times, and of all the cities of the world is the easiest to visit without going there. Open the first book and you will find a rhapsody about it; step into the first picture-dealer's and you will find three or four high-coloured "views" of it. There is notoriously nothing more to be said on the subject. Every one has been there, and every one has brought back a collection of photographs. There is as little mystery about the Grand Canal as about our local thoroughfare, and the name of St. Mark is as familiar as the postman's ring. It is not forbidden, however, to speak of familiar things, and I hold that for the true Venice-lover Venice is always in order. There is nothing new to be said about her certainly, but the old is better than any novelty. It would be a sad day indeed when there should be something new to say. I write these lines with the full consciousness of having no information whatever to offer. I do not pretend to enlighten the reader; I pretend only to give a fillip to his memory; and I hold any writer sufficiently justified who is himself in love with his theme.