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Cover for 9780521844031 Cover for 9782503515175 Cover for 9780297790044 Cover for 9780393025637
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Product Description: Luigi Dallapicola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance...read more

Hardcover:

9780521844031 | Cambridge Univ Pr, September 30, 2013, cover price $99.00 | About this edition: Luigi Dallapicola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived.

cover image for 9782503515175
Product Description: In the present volume 23 specialists investigate a number of significant aspects of Italian music history during the Fascist period. Included are also unpublished documents and fresh information on composers like Ferruccio Busoni, Alfredo Casella, Aldo Finzi, Adriano Lualdi, Gian Francesco Malipiero and Ottorino Respighi...read more
By Anna Cattoretti (editor) and Roberto Illiano (editor)

Hardcover:

9782503515175 | Brepols Pub, December 30, 2004, cover price $208.00 | About this edition: In the present volume 23 specialists investigate a number of significant aspects of Italian music history during the Fascist period.

cover image for 9780297790044
Looks at the ways Mussolini's government attempted to control music, describes the reactions of individual composers and musicians, and examines Mussolini's own musical pretenstions

Hardcover:

9780297790044 | Weidenfeld & Nicolson Ltd, June 1, 2000, cover price $35.00
9780393025637 | W W Norton & Co Inc, May 1, 1988, cover price $24.95 | About this edition: Looks at the ways Mussolini's government attempted to control music, describes the reactions of individual composers and musicians, and examines Mussolini's own musical pretenstions

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