LIFE, LIFE A book of poetry by Russian poet Arseny Tarkovsky, translated by Virginia Rounding. Includes many poems used in Arseny’s son’s films (Andrei Tarkovsky). With a bibliography of both Arseny and Andrei Tarkovsky, and illustrations from Tarkovsky’s movies. FROM THE INTRODUCTION: Arseny Aleksandrovich Tarkovsky was was born in June 1907 in Elizavetgrad, later named Kirovograd. He studied at the Academy of Literature in Moscow from 1925 to 1929, and also worked in the editorial office of the journal Gudok. He was well respected as a translator, especially of the Oriental classics, but was little known as a poet for most of his life, being unable to get any of his own work published during the Stalinist era. His poems did not begin to appear in book form until he was over fifty. His son, the film director Andrei Tarkovsky, made extensive use of his father’s in some of his films, and certain of his diary entries indicate the esteem in which the poet was held in the Soviet Union towards the end of his life. An entry written after Andrei had given a talk at the Moscow Physical Institute in 1980, for instance, reproduces the following note from a member of the audience: ‘An enormous number of people in this hall admire Arseny Aleksandrovich Tarkovsky as a great Russian poet. Please convey our respects to him.’ One of the few recorded public appearances of Arseny Tarkovsky was at the funeral of Anna Akhmatova; he was one of three writers deputed to accompany her coffin from Domodedovo to Leningrad, and he read both at her funeral in Komarovo and at the first evening held in her memory in Moscow. He died in 1989 and is now beginning to be recognised as one of the many significant Russian poets of the twentieth century. From Ignatyevo Forest’: The last leaves’ embers in total immolation Rise into the sky; this whole forest Seethes with irritation, just as we did That last year we lived together.

LIFE, LIFE: SELECTED POEMS BY ARSENY TARKOVSKY A book of poetry by Russian poet Arseny Tarkovsky, translated by Virginia Rounding. Includes many poems used in Arseny's son's films (Andrei Tarkovsky). With a bibliography of both Arseny and his son Andrei Tarkovsky, and illustrations from Tarkovsky's movies. This is one of the very few translations in English of poetry by Arseny Tarkovsky available. FROM THE INTRODUCTION: Arseny Aleksandrovich Tarkovsky was was born in June 1907 in Elizavetgrad, later named Kirovograd. He studied at the Academy of Literature in Moscow from 1925 to 1929, and also worked in the editorial office of the journal Gudok. He was well respected as a translator, especially of the Oriental classics, but was little known as a poet for most of his life, being unable to get any of his own work published during the Stalinist era. His poems did not begin to appear in book form until he was over fifty. His son, the film director Andrei Tarkovsky, made extensive use of his father's in some of his films, and certain of his diary entries indicate the esteem in which the poet was held in the Soviet Union towards the end of his life. An entry written after Andrei had given a talk at the Moscow Physical Institute in 1980, for instance, reproduces the following note from a member of the audience: 'An enormous number of people in this hall admire Arseny Aleksandrovich Tarkovsky as a great Russian poet. Please convey our respects to him.' One of the few recorded public appearances of Arseny Tarkovsky was at the funeral of Anna Akhmatova; he was one of three writers deputed to accompany her coffin from Domodedovo to Leningrad, and he read both at her funeral in Komarovo and at the first evening held in her memory in Moscow. He died in 1989 and is now beginning to be recognised as one of the many significant Russian poets of the twentieth century. From the poem ‘Ignatyevo Forest': The last leaves' embers in total immolation Rise into the sky; this whole forest Seethes with irritation, just as we did That last year we lived together. Illustrated. With bibliography and notes. ISBN 978186171144. www.crmoon.com

The dramatic story of Emperor Nicholas II and his wife Alexandra Fyodorovna, the last Tsar and Tsarina of Russia―A penetrating and deeply personal study that gives profound psychological insight into their marriage and how it shaped the events that engulfed them.There are few characters in history about whom opinion has been more divided than the last Tsar of Russia, Nicholas II, and his wife the Empress Alexandra Fyodorovna. On one hand, they are venerated as saints, innocent victims of Bolshevik assassins, and on the other they are impugned as the unwitting harbingers of revolution and imperial collapse, blamed for all the ills that befell the Russian people in the 20th century. Theirs was also a tragic love story; for whatever else can be said of them, there can be no doubt that Alix and Nicky adored one another. Soon after their engagement, Alix wrote in her fiancé's diary: "Ever true and ever loving, faithful, pure and strong as death"―words which met their fulfillment twenty-four years later in a blood-spattered cellar in Ekaterinburg.Through the letters and diaries written by the couple and by those around them, Virginia Rounding presents an intimate, penetrating, and fresh portrayal of these two complex figures and of their passion―their love and their suffering. She explores the nature and possible causes of the Empress's ill health, and examines in depth the enigmatic triangular relationship between Nicky, Alix and their ‘favourite,' Ania Vyrubova, protégée of the infamous Rasputin, extracting the meaning from words left unsaid, from hints and innuendoes..The story of Alix and Nicky, of their four daughters known collectively as ‘OTMA' and of their hemophiliac little boy Alexei, is endlessly fascinating, and Rounding makes these characters come alive, presenting them in all their human dimensions and expertly leading the reader into their vanished world.

A portrait of the late eighteenth-century Russian ruler discusses how she seized and kept the throne in spite of her illegitimate claim and a series of wars, rebellions, and plagues, tracing how she rendered Russia a major European power.

Unraveling myth from reality, this intriguing study goes inside the boudoir to reveal the real-life world of the legendary French courtesans of the nineteenth century, describing the reputations and influence of Marie Duplessis, Cora Pearl, La Païva, and Apollonie Sabatier, La Présidente. Reprint.

Unraveling myth from reality, this intriguing study goes inside the boudoir to reveal the real-life world of the legendary French courtesans of the nineteenth century, describing the reputations and influence of Marie Duplessis, Cora Pearl, La Païva, and Apollonie Sabatier, La Présidente. 12,000 first printing.