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Sahar Amer has written 3 work(s)
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Cover for 9781469617756 Cover for 9780812240870 Cover for 9780300078923
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Product Description: Ranging from simple head scarf to full-body burqa, the veil is worn by vast numbers of Muslim women around the world. What Is Veiling? explains one of the most visible, controversial, and least understood emblems of Islam. Sahar Amer's evenhanded approach is anchored in sharp cultural insight and rich historical context...read more

Hardcover:

9781469617756 | Univ of North Carolina Pr, September 2, 2014, cover price $28.00 | About this edition: Ranging from simple head scarf to full-body burqa, the veil is worn by vast numbers of Muslim women around the world.

cover image for 9780812240870
Product Description: Given Christianity's valuation of celibacy and its persistent association of sexuality with the Fall and of women with sin, Western medieval attitudes toward the erotic could not help but be vexed. In contrast, eroticism is explicitly celebrated in a large number of theological, scientific, and literary texts of the medieval Arab Islamicate tradition, where sexuality was positioned at the very heart of religious piety...read more

Hardcover:

9780812240870 | Univ of Pennsylvania Pr, June 4, 2008, cover price $59.95 | About this edition: Given Christianity's valuation of celibacy and its persistent association of sexuality with the Fall and of women with sin, Western medieval attitudes toward the erotic could not help but be vexed.

cover image for 9780300078923
Product Description: Guided by the groundbreaking work of the late Daniel Poirion, medievalists have in recent years begun to reconsider assumptions about allegory, asserting that medieval allegory does not contain stable meaning or the whole truth but instead produces a play of illusions and an inexhaustible regression of mimetic figures...read more

Paperback:

9780300078923 | Yale Univ Pr, July 1, 1999, cover price $32.00 | About this edition: Guided by the groundbreaking work of the late Daniel Poirion, medievalists have in recent years begun to reconsider assumptions about allegory, asserting that medieval allegory does not contain stable meaning or the whole truth but instead produces a play of illusions and an inexhaustible regression of mimetic figures.

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