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This book analyzes the representations of homosexuality in Conradâs fiction, beginning with Conradâs life and letters to show that Conrad himself was, at least imaginatively, bisexual. Conradâs recurrent bouts of neurasthenia, his difficult courtships, late marriage, and frequent expressions of misogyny can all be attributed to the fact that Conrad was emotionally, temperamentally, and, perhaps, even erotically more comfortable with men than women.
Subsequent chapters trace Conradâs fictional representations of homosexuality. Through his analysis, Ruppel reveals that homoeroticism is endemic to the adventure genre and how Conradâs bachelor-narrators interest in younger men is homoerotic. Conrad scholars and those interested in homosexuality and constructions of masculinity should all be interested in this work.
About: This book analyzes the representations of homosexuality in Conradâs fiction, beginning with Conradâs life and letters to show that Conrad himself was, at least imaginatively, bisexual.
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